Sunday, 17 May 2026

Shelf-Employed: The Indie Publishing Podcast – Transcript: Episode 11: South Australia’s History Festival 2026

 Shelf-Employed: The Indie Publishing Podcast 
– Transc
ript: Episode 11: South Australia’s History Festival 2026



[Transcript Begins]

It's time for the History Festival in South Australia, and Lee said we should do a podcast about who was the first published author in South Australia, our home state….so…I went down a research rabbit hole.

For those that don’t know, the South Australia History Festival is an annual statewide celebration in May that explores the state’s history through tours, talks, exhibitions, walks, and workshops for all ages. The 2026 History Festival runs throughout May and invites participants to explore South Australia’s rich history, from family stories and local communities to broader social movements and cultural milestones. The festival emphasises connections across time, place, and people, highlighting how past events continue to shape the state’s identity. 

 

The first publication in South Australia is widely regarded to be Colonel William Light's A Brief Journal of the Proceedings of William Light, late Surveyor-General of the Province of South Australia, with a few remarks on some of the objections that have been made to them. This was published by A. Macdougall in 1839. In the context of the era, most literature in South Australia prior to the formal settlement of the state was imported books from England. The majority of publications in the time period were published in London, Australia, and indeed, South Australia did have newspapers, almanacs, pamphlets and gazettes printed here in the state, but Light’s journal publication is generally recognised as the first local publication.

 I guess we should add some historical context for those listening from outside South Australia. If you think of early Australia as a place built by convicts, South Australia breaks that pattern completely.

The colony of South Australia was founded in a very different way. In the early 1800s, a British thinker named Edward Gibbon Wakefield came up with a bold idea: instead of sending prisoners, why not create a carefully planned colony of free settlers? Land would be sold to fund the journey, attracting workers, families, and investors.

That idea became reality in 1836. The first official group of settlers arrived, and the colony was proclaimed at Glenelg by Governor John Hindmarsh. Today, that moment is remembered every year as Proclamation Day. Turning that vision into a real, working colony depended heavily on one man: Colonel William Light.

Light was tasked with choosing the site of the capital and designing it from scratch. After exploring the region, he selected the location for Adelaide—a decision that wasn’t without controversy at the time. Some officials disagreed with his choice, but Light stood by it. From the very beginning, this place was designed to be different. The capital, Adelaide, wasn’t just built—it was planned.  His design was ambitious: a grid of wide streets, open public squares, and parklands encircling the city. It wasn’t just practical—it reflected the ideal of a well-ordered, livable society. Today, Adelaide still follows that original plan, a lasting legacy of Light’s vision.

 Importantly, this wasn’t empty land. The region was already home to Aboriginal peoples, including the Kaurna people, who had lived on and cared for the land for thousands of years. European settlement brought major disruption to their lives and culture—something that’s now a crucial part of how this history is understood.

But the story of settlement didn’t stop in Adelaide.

Just to the north, the town of Gawler became one of the colony’s earliest rural centres. Established in 1839, it’s often called the “first country town” of South Australia. Gawler grew quickly thanks to its location near fertile land and the meeting of the Gawler and North Para Rivers.

In those early years, it became a hub for farming communities. Mills, blacksmiths, and traders set up shop, supporting settlers moving beyond Adelaide. As agriculture expanded—especially wheat and sheep farming—Gawler played an important role in feeding and supplying the young colony.

Like Adelaide, the land around Gawler was not empty. It was traditionally cared for by Aboriginal groups connected to the region, and European settlement brought significant disruption to their way of life.

By the mid-1800s, places like Gawler showed how the colony was spreading outward, transforming from a planned city into a network of towns and farming districts. While Light is best known for designing Adelaide, his surveying work helped open surrounding regions, laying the groundwork for towns like Gawler to develop. These early settlements became vital links between the city and the expanding farming districts.

As the years went on, South Australia grew through farming, mining, and migration. It became known as a “free colony,” attracting people looking for opportunity rather than serving a sentence.

So, while much of Australia’s early story is tied to convict beginnings, South Australia stands out as an experiment in planned settlement—and one that left a lasting mark on the country.

 

The first printing press in South Australia was brought by Robert Thomas. He arrived with the early settlers in 1836 and played a key role in the colony’s development by producing its first printed materials. Notably, he printed the first government orders and notices, helping establish communication in the new settlement.

Robert Thomas is also closely linked to South Australia’s first newspaper, the South Australian Gazette and Colonial Register, which began publication shortly after the colony was founded.

So while figures like William Light were shaping the physical layout of the colony, Thomas was helping shape how information spread—an essential part of building a functioning society. That first printing press was the Stanhope press, which was brought ashore from the Africaine in 1836. It was put inside a tent at Glenelg and used to print the first 100 copies of the Proclamation of South Australia. The press was later moved to Adelaide and played a crucial role in the early newspaper publishing industry, printing the first edition of the South Australian Gazette and Colonial Register in 1837.

{DEB}

According to the State Library of South Australia, the first person to publish a novel in South Australia is generally recognised to be Catherine Helen Spence with her novel, Clara Morison: A Tale of South Australia During the Gold Fever, which was published anonymously in 1854.  It is significant because It is considered the first novel written by a woman of European descent about, and in, not just South Australia, but Australia wide.

 

  Catherine Helen Spence was one of Australia’s most influential early social reformers, writers, and political thinkers. She was born in 1825 in Scotland and moved to South Australia as a child, where she spent most of her life shaping public debate and social policy.


Although Spence was a pioneering novelist in Australia, she was also known for her writing and journalism, where she explored social issues like class inequality, women’s independence, and life in colonial Australia. She was deeply involved in improving society, especially in areas like: Education, Welfare for children and the poor and Electoral reform.
Spence was also a pioneer of women’s rights. She was a leading figure in the women’s suffrage movement in Australia. In fact, she made history in 1897 by becoming the first female political candidate in Australia and one of the first women in the world to run for political office. Although she didn’t win a seat at the federal conventions, her candidacy was groundbreaking. Spence also devoted her life to working with organisations that supported disadvantaged children, helping develop systems closer to modern foster care. And in later life, she became a public speaker, from which she gained international recognition for her reform work.
Catherine Helen Spence is sometimes called the “Grand Old Woman of Australia.” Her impact is still visible today in Australia’s democratic systems and social services. She’s also featured on the Australian $5 note (1995–2001 issue), reflecting her national importance.

 

{ALLEN}

The first Indigenous person from South Australia to publish a book is widely regarded to be David Unaipon, a Ngarrindjeri man from the Lower Murray region of South Australia. His work, Native Legends (published in 1929), along with later posthumously attributed works such as Legendary Tales of the Australian Aborigines, made him the earliest Indigenous Australian writer to be published in book form

David Unaipon was born in 1872 at the Point McLeay Mission in South Australia, now known as Raukkan. He was a Ngarrindjeri man, and from a young age, people noticed he was incredibly bright — especially in science, music, and language.  But his life wasn’t simple. Even though he had talent that could have taken him far, Aboriginal people at the time faced major discrimination and limited opportunities. Still, he found ways to share his knowledge.
He worked as a preacher and travelled widely across South Australia, speaking in churches and towns. But he didn’t just preach — he told stories. Stories about Aboriginal culture, law, and knowledge systems that had been passed down for generations.

And then something important happened. In the late 1920s, Unaipon began publishing written works. He wrote articles, pamphlets, and stories based on Aboriginal oral traditions. One of his best-known early booklets was “Native Legends” , That made him the first Aboriginal Australian author to publish written works in English — and one of the first to have Indigenous stories presented in book form.
But there’s a twist — and it’s not a happy one.

One of his major manuscripts, a collection of Aboriginal stories, was taken and later published under someone else’s name in 1930, without crediting him. It wasn’t until decades later that his authorship was properly recognised.
 David Unaipon was also an inventor — he patented ideas for mechanical tools, including an improved sheep-shearing device. He even explored ideas like helicopters inspired by the boomerang.

Because of his brilliance, people sometimes called him “Australia’s Leonardo da Vinci.” David Unaipon helped show that Aboriginal knowledge systems are deeply intellectual, scientific, and artistic — even when Australia wasn’t ready to listen.

He passed away in 1967, but today he is honoured on the Australian $50 note, and the David Unaipon Award supports Indigenous writers continuing his legacy. So when we talk about David Unaipon, we’re not just talking about history.

We’re talking about a man who preserved stories, challenged ideas about knowledge, and made space for future Indigenous authors.

{ALLEN}

So, way back in our first live episode, I spoke about notable authors from Gawler, but I am going to widen that scope a little more and speak about some earlier publications that came from Gawler residents who weren’t necessarily born in this town. The first is a Catholic priest named James Farrell. He published religious pamphlets and sermons in Adelaide while he lived in Gawler in the 1840s. There were also publications from the Gawler Institute, and obviously, The Bunyip newspaper went to print in 1863.

The first book, widely regarded as the first published by a Gawler-born resident, is A History of Gawler, 1837 to 1908, in 1910, by Ephraim Henry Coombe. Coombe was a journalist, newspaper editor and member of parliament. He advocated for proportional voting, women’s suffrage and railways to country towns. Coombe was adamantly against conscription during World War I and was painted as a coward and traitor. He was prosecuted under the War Precautions Act in 1917 for using words that were ‘likely to prejudice recruiting.’ Coombe had three sons and a son-in-law on the frontlines who volunteered to go, reinforcing his argument that volunteers over conscription was the right way to reinforce the frontlines of the war. Coombe died not long after the trial in 1917 and is buried in the Williston cemetery….and if you want to know more about his story – segway to another Gawler author - local Councillor and historian Helen Hennessey and Patricia Booth, and their publication The Defiant anti-conscriptionist: the curious life of E.H. Coombe, which was published by Wakefield Press in 2022. This biography details the life of E H Coombe. A hero of the working class and many others in the community, the curious life of E.H. Coombe places Gawler and its region firmly on the map.

Despite Coombes ' efforts, one could argue that George Isaacs, who wrote under the non-de-plume A. Pendragon, was the first person published in Gawler. Isaacs was a colonial South Australian writer, journalist, and cultural figure who spent part of his active career in Gawler. His novel The Queen of the South (1858) was printed in Gawler, and this is also where he first used the pseudonym A. Pendragon. He was associated with the Gawler Institute, which was a major hub for literary and intellectual activity in the town…

 [End Transcript]

 

Episode 11 of Shelf-Employed: South Australia’s History Festival 2026 can be heard via this link:

https://open.spotify.com/episode/5m8HW5cDeC4Ah0CXTTyIs4?si=2isuRBl1TTyWzI_CkU4uUw

Or via @Apple Podcasts @Amazon Music @Substackinc @Simplecast or @iHeartRadio

Saturday, 2 May 2026

Historic Propeties: Fernilee Lodge

 Fernilee Lodge

Address: 569 Greenhill Road, Burnside (corner of Gartrell Street)



Fernilee, located at 569 Greenhill Road, Burnside, was constructed in the late 1870s by local builder Dennison Clarke. Clarke constructed unusually large underground rooms and a water tank as his answer to the hot South Australian climate. Clarke initially lived there with his family before selling it to James Gartrell. Gartrell, a prominent and respected businessman, expanded Fernilee into an elegant 20-room family estate set on four acres of landscaped gardens, where his family resided for 45 years.

From 1926 to 1957, the Stanley Cooper family—part of the Leabrook Cooper brewing legacy—owned and occupied Fernilee. It was later purchased by Hal Morgan, who transformed the property into a reception venue known as Fernilee Lodge.

Fernilee Lodge became a memorable setting for family weddings and celebrations, with many local residents retaining strong personal connections to the site. Despite its significance, the building was controversially demolished in 2003.

Tuesday, 7 April 2026

An (alleged) Haunting at Carclew House, North Adelaide

 An (alleged) Haunting at Carclew House, North Adelaide

 


The property on which Carclew House is situated was originally owned by George Cortis in 1837, who sold it to William Bartley in 1847.  It was owned by Edward Stephens in 1848, then by the Crawford family from 1849 until 1855 (with a year of possession by H. Mitchell in 1852).
 In 1855, Abraham Scott and Edmund William Wright owned the property for six years before selling it to James Chambers
in 1861.
 James Chambers success came from buying a town acre in the first Adelaide
land sale.  With his brother John, he imported horses from Van Diemen’s Land. The two men secured themselves a small fortune through their business dealings and became philanthropists in the small Adelaide community.  He opened a livery stable in Adelaide and purchased coaches from South Africa and England. He gained the mail contract to Burra (around 1845) and built a large business carting people and mail to the mining communities in Kapunda, Burra and other towns in the Mid North of South Australia.  James Chambers also supplied the horses and carts for Tolmer's gold escort from Mount Alexander to Adelaide in 1852.[1]

   Mr Chambers had a small house and stable on the land in North Adelaide, which he sold to tobacco magnate, Mr Dixson, in 1896. Dixson demolished the former home of Chambers and commissioned architect John Bruce to build a stately mansion, which he named Stalheim.

  In 1908, Dixson sold his stately home to Langdon Bonython, the wealthy owner of The Advertiser newspaper. Bonython renamed the building Carclew House and lived there with his wife, Lady Marie Bonython, and their children.[2]  The Bonython family lived happily in the newly named Carclew House from 1908 until its sale to the state government in 1965.

 

  There are numerous ghost stories associated with Carclew House, many of which are urban legends.
 The oldest being that Sir Bonython carried his disabled wife, whom he had found cheating, up into the spire and threw her out of a window. Lady Bonython allegedly hit the ground, but did not die, so Sir Bonython carried her up again and threw her out the window a second time! (An addition to this story sometimes told is that Sir Bonython bricked his wife up inside the spire wall. Another telling is that Lady Bonython caught her husband in the embrace of another woman and threw herself from the tower.)
  Whether the story is true has not seemed to matter in the annals of South Australian history; some people never let the truth get in the way of a good story, and this is a story that has it all.

From a conspirator's point of view, though, such a tragic murder could easily have been covered up, with her husband’s control of the local newspaper and other media sources, a son in the Mayor’s office, and an abundance of money and power.  Sir Bonython could have easily covered up such an event, but as we all know, the truth has a way of exposing itself, and if such an event did occur, it would find its way into the public forum eventually.   There is no conclusive evidence to prove that Sir Bonython killed his wife; in fact, her death appears to be a natural one that somehow became a conspiracy against her ever-loving husband.  Perhaps the rumours persisted and became an urban legend due to jealousy over the families’ wealth and power?

 

  Other urban legends from Carclew House involve men being buried inside the walls of the house, possibly builders, one near the front door and the other in a wall at the rear of the house. Urban legends have a way of twisting over time, and the story that once involved Lady Bonython looking longingly from a turret window at the outside world has now evolved into that of a young boy haunting the spire and looking out longingly at the city below.

  What is interesting about this is that there is a ghostly tale of a young man at Carclew House, as told by Lady Wilson, the granddaughter of the Bonythons. In the story from her youth, Lady Wilson recalls sleeping in a downstairs bedroom and witnessing the spirit of a young boy.
 The spirit was that of a young man with blond hair, aged about 15, wearing a long-sleeved white shirt and black shorts with knee-high socks. The spirit would enter the room and go straight to the dressing table, where he would pick up pins…and while she watched him, he would very slowly become transparent, until he disappeared.  
Other reports that have come to me over the years have included phantom smells of perfume that waft through the art rooms, one witness to the phantom perfume followed her nose, and although she could not find a source, she said the smell was strongest in the spire below a trap door.

 Carclew House is one of those locations in Adelaide that every budding Ghost Hunter wishes he or she could have a chance to investigate…

 

This is an extract from my book The Haunts of Adelaide: Revised Edition – for the full story, the book is available here: https://www.amazon.com.au/Haunts-Adelaide-History-Mystery-Paranormal/dp/B08JLQLLC5

 

©2020 Allen Tiller



[1] Australian Dictionary of Biography, Chambers, James (1811–1862), National Centre of Biography, ANU (1969) http://adb.anu.edu.au/biography/chambers-james-3189/text4785, accessed 26 June 2017.

[2] Carclew, Our History, (2014), https://carclew.com.au/Our-History, accessed 14 June 2015.

Tuesday, 3 March 2026

A Haunting at the Star Theatre

 A Haunting at the Star Theatre

 145 Sir Donald Bradman Drive, Hilton.

 


     A Methodist Free Church was built at 143 Sir Donald Bradman Drive in 1857. It became a Baptist Church in 1861. On the lot next door, a tin shed was built in 1923 as the Soldiers Memorial Institute. This was replaced in 1928 with a stone and brick building. During the 1930s, the institute was used for roller skating and dancing. In a precursor to night cricket, in 1936, the Hilton Institute became home to ‘Electric Light Cricket’, which was invented at Cowandilla by Alf Stone in 1933.[1] Matches were played indoors under electric lighting. Electric Light Cricket became a competitive sport in the area, which included multiple clubs using institutes and RSL Halls as their ‘home ground.’  In 1937, extensions to the Institute were completed – this included a ladies' retiring room and the projection room. The building became the Lyric Theatre and later the Windsor Theatre.
 In 1956, further additions were made to the building, allowing a larger audience to attend. For a short time, the theatre was known as the Star Theatre.
 In 1962, John Edmund and Donald Grey leased the building and turned it into a live theatre, renaming it Theatre 62.  In 1970, the Soldiers Memorial Institute was disbanded, and the library, which was still housed in the building, was removed by the Council.
 In 1981, the former church next door was purchased, and the two buildings were joined together. The complex was then known as Theatre 62. The Chapel was utilised as a youth centre by Carclew. The building was refurbished by the West Torrens Council in 1992. In 1993, Mighty Good Entertainment invested in the partnership that leased the building, and in 1999, it was decided to rename the complex Star Theatres.

 In 2015, West Torrens Council voted to retain the theatre and upgrade the building. Mighty Good Productions has been in the building for 30-plus years. The venue boasts patronage of over 80 thousand visitors a year.

 

  According to local legend, a former director of the theatre committed suicide by hanging himself in the access ladder doorway in the 1950s. Another former director of the theatre, Bob Jessop, claims to have witnessed a spectre in the building. Jessop claims that he was locking up the theatre one night when he witnessed the silhouette of a person step off the stage and into the wings. He went to see who it was, but could not find anyone. Jessop also claims that an invisible presence was often felt in the building by him and others. The ghost’s presence was always stronger when there were children present. It could also unplug the lighting.
  Another former director of the theatre, Barb Messenger, claimed that the ghost had particular tastes in theatre productions. It did not like period pieces and would cause disturbances to interrupt shows.
An incident occurred when ABC presenter John Ovendon was present in the foyer. Allegedly, a glass vase flew off a table and across the room with no living person near it!
Another incident involved Nicholas Upholske. There was repeated pounding on a rear door, but when it was opened, no one was there. Mr Upholske waited for the pounding to start again with his hand on the door lock. As soon as it began again, he swung the door open, expecting to see the culprit, but no one was there! It is not known who the ghost may be. Paranormal events continue to this day…[2]

(C) 2026 Allen Tiller
The Haunt of Adelaide



[1] Daniel Keane, ‘ Electric Light cricket: The game Adelaide’s Alf Stone invented 85 years before the first day-night Test.’, ABC News, (2015), https://www.abc.net.au/news/2015-11-25/electric-light-cricket-invented-by-adelaide-digger/6972582.

[2] Gordon de L. Marshall, Ghosts and Hauntings of South Australia, (2012), pp.71-2.

Tuesday, 3 February 2026

A Haunting at the Gawler Railway Station

 A Haunting at the Gawler Railway Station



 Is the Gawler Railway Station haunted?  Recently, I have had reports of a spectre haunting the Gawler Railway Station. The first railway station was built here in 1857. The first train arrived on 5 October 1857 and was described in the Register as a ‘train of 13 first and second class carriages, plus three to four open carriages carrying approximately 900 passengers. The carriages were profusely decorated with flags and banners, and the engine was garlanded with flowers'.
  The train departed at 9:15 am, accompanied by the strains of the National Anthem, and reached Salisbury by 10:00 am, arriving at Gawler at 10:50 am.

  The 1857-built railway station was demolished, and a new one was built in 1879. The new station featured a booking office, waiting, refreshments, ladies' rooms, and station master and luggage departments.

The following is a historical sample of some of the deaths that have occurred at the historic railway station.

  In 1875, Station Porter Charles Woods died at the station after suffering a fit and falling from a train carriage onto the rails and stones below.[1]   In 1896, Porter, Donald McAuley tried to jump from the platform onto a moving engine – something he had successfully performed many times before. This time, McAuley slipped and went under the train. His right leg was instantly amputated by a train wheel, while his left leg was shattered at the ankle. Despite medical treatment, McAuley died just a few days later.[2]
 In 1893, the Broken Hill express was leaving Gawler, with Guard Peter Power standing on the footboard of the breakvan. As the train left the platform, Power was struck by a water column, causing him to lose balance and fall under the last wheels of the carriage. His legs were almost severed at the ankles. Power was taken to the Adelaide Hospital by train, but expired the following day.[3]  In 1911, George White, an engine driver, died suddenly at the Gawler Station. White was sitting on a seat talking to a fellow employee when he suddenly leaned back and died.[4]

  The reported ghost is often seen sitting on the benches of the station. From the description given, it appears to be male and dressed in an older style suit. The entire apparition is grey in colour and stares south, as if waiting for the train to arrive. It is now known who the apparition was in life.

Researched and written by Allen Tiller ©2026



[1] 'ACCIDENTAL DEATH AT GAWLER.', The Express and Telegraph, (15 December 1875), p. 2.

[2] 'Accident at the Railway Station.', Bunyip, (30 October 1896), p. 3.

[3] 'Fatal Accident at the Gawler Railway Station.', Bunyip, (4 August 1893), p. 2.

[4] 'SUDDEN DEATH.', The Register, (18 January 1911), p. 5. 

Tuesday, 6 January 2026

Pelberre Railway Station

 Pelberre Railway Station

 


  Pelberre Station was a stop on the railway line between Gawler and Angaston. Pelberre is believed to be the Kaurna word for fruit. The station was situated near Bella Street, Gawler East, one stop from what is now Gawler Central (formerly Gawler North Railway Station).
Other stops that existed between Gawler and Lyndoch included Kalbeeba Station, Kalperri Station, Sandy Creek, Warpoo and Wilamba.[1]

 In 1947, Nancy Haese (24), her mother Amy Haese and Robert Lee (38) were travelling in their car when they were hit by a train at Jolly’s crossing. The mother and daughter were in the front seat, and Lee was in the back of the 1927 open touring car.
 According to the News,

The railcar struck the motor car alongside the steering wheel. The car was then crushed against the cattle pit guard rails, and carried 40 yards before it was hurled down a 15-ft. embankment. The 60-1b rails forming the cattle pit guard were bent and broken.
 With the exception of the engine and bonnet, the car was a twisted mass of steel and wood after the accident.
 The rear axle was ripped, out and carried along by. the railcar's cowcatcher, until it slid down the embankment when the railcar stopped 125 yards past the point of collision.[2]

  Nancy Haese was driving the car back to the family property. Lee was an employee; the three had been picking grapes on the Adelaide Road side of the railway line at Warpoo. The gate to the Haese property was just 20 feet from the crossing where the car was struck.
 Nancy was killed instantly. Mrs Haeses and Lee both suffered fractured skulls and died later in the Hutchinson Hospital, Gawler.
 In an article in The Register Newspaper, it states that the original stop at Warpoo was known as Haese’s, and was little more than a flattened piece of ground where the train stopped to pick up and drop off passengers.[3]

  The Angaston line from Gawler opened in 1911. Regular passenger services ceased in December 1968. In November 1996, Transadelaide introduced Sunday services to Nuriootpa, and in 1998, Bluebird Rail Operations ran the Barossa Wine train on the line, which ceased in 2003.


Researched and written by Allen Tiller (c) 2025

S.A.R. 1938 train timetable courtesy of Martin Walker.



[1] Manning G.H., A Compendium of the Place Names of South Australia, State Library of South Australia, p. 669.

[2] 'Three Killed in S.A. Crossing Smash', News, (30 April 1947), p. 1.

[3] 'Country News.', The Register, (7 May 1925), p. 13. 

McDonald, J., & Johnson, B., ‘Barossa Valley Lines to Truro, Penrice Quarry, and Angaston.‘ Lost in South OZ, (2024), https://lostinsouthoz.jarmlibrary.me/.

Tuesday, 2 December 2025

Emmy’s Ghostly Photograph

  Emmy’s Ghostly Photograph



  Novelist, screenwriter, television scriptwriter, playwright, columnist and lecturer, John Pinkney, was one of Australia’s foremost authors on the paranormal. Pinkney wrote the ‘Haunted’ series, the ‘Unsolved’ Series and the ‘Mysteries’ series.
   In 1982, he was approached by Emmy Barnes in Adelaide with a ghost story regarding her deceased husband. Emmy stated that as her husband Jimmy lay dying, he predicted she would remarry after his death. Jimmy stated she would marry a man with the initials B.B.
 Just a few months after Jimmy’s death, Emmy met Bernard Barnes, whom she married. After their wedding, their photos from the day were printed

  In 1982, an Adelaide woman told paranormal writer John Pinkney about how her deceased husband appeared in a photo a year after his death. While Emmy Barnes' husband, Jimmy, lay dying, he predicted she would remarry and that her new husband's initials would be BB. Emmy stated to Pinkney,

‘While my husband Jimmy lay dying,' Mrs Barnes recalled, ‘he made several predictions to me – predictions which later came true in considerable detail. Jimmy's first prediction was that I’d marry again, and that my new husband’s initials would be B.B.  Jimmy said I’d make my first contact with him after being introduced to an Irish woman born in India. I’d know who that woman was, because within moments of meeting her, she'd invited me to look at her new lounge suite which would be covered in bottle green fabric.’[1]


 Emmy said that her husband promised to be present when she remarried,

 ‘I didn't take much notice. I was too grieved, and anyway, I imagined his forecasts were the wanderings of a dying man. But the following year it all began happening. A friend at the hospital where I worked invited me to a party. I was hardly inside the door when the hostess, whom I’d never met, urged me to the next room to see what her husband had bought her. ‘It was a three-piece lounge suite, covered in bottle green. That was only the start. When we began to talk, I found my new acquaintance was of Irish descent, but had been born in Delhi, India – just as Jimmy had foretold. ‘At that party, Jimmy's dying forecasts kept falling into place. I met a man there named Bernard Barnes and within a few months I was to accept his marriage proposal.'

  As a wedding present, several of Emmy’s friends paid for a professionally shot family portrait. Within the family portrait, a silhouette of Jimmy could be seen in the sideboard mirror. Emmy stated that, ‘I knew then Jimmy had kept his promise.’

 Pinkney inspected the negative of the photograph for tampering or trickery. He said of the photograph,

 ‘I didn't doubt my correspondent's sincerity, but I reserved judgement until the following month, when I was able to study the picture for myself. As an analysis of the negative would subsequently confirm, the dead man's image was indeed prominent in the photograph.’

 

Story and images: John Pinkney's "A Paranormal File" (2000).

Image 1: Emmy Barnes holding wedding photo showing silhouette of deceased former husband Jimmy in mirror.

Image 2: close-up of Jimmy's silhouette in the mirror.

Image 3: Jimmy before his death.



[1] John Pinkney, ‘A Paranormal File.’, (2000).